Wednesday, July 18, 2007

BONES


SEASON 1
SEASON 2

Airs Next: FOX at Wednesday 8:00 PM (60 min.)
Status: Returning Series Premiered: September 13, 2005
Show Categories: Drama, Action/Adventure



From executive producers Barry Josephson and Hart Hanson comes the darkly amusing drama Bones, inspired by real-life forensic anthropologist and novelist Kathy Reichs. Forensic anthropologist Dr. Temperence Brennan, who works at the Jeffersonian Institution and writes novels as a sideline, has an uncanny ability to read clues left behind in a victim's bones. Consequently, law enforcement calls her in to assist with murder investigations when the remains are so badly decomposed, burned, or destroyed that the standard identification methods are useless. Brennan's equally brilliant colleagues at the Jeffersonian's Medico-Legal Lab include earthy and bawdy Angela Montenegro, who's created a unique way to render an original crime scene in a three-dimensional computer image; Brennan's assistant, Zack Addy, a young prodigy whose genius IQ actually gets in the way of his finishing the several doctorates he's begun; "the bug guy", Dr. Jack Hodgins, who's an expert on insects, spores and minerals, but conspiracy is his hobby; and Brennan's boss, imposing lab director Dr. Daniel Goodman. Brennan often finds herself teamed with Special Agent Seely Booth, a former Army sniper who mistrusts science and scientists when it comes to solving crimes. Brennan and Booth clash both professionally and personally, but so far the chemistry between them has only played out in a fictionalized account in Brennan's lastest mystery novel.

Cast

Jonathan Adams - Dr. Daniel Goodman (Season 1)
David Boreanaz - Special Agent Seeley Booth
Emily Deschanel - Dr. Temperance Brennan
Eric Millegan - Zack Addy
Michaela Conlin - Angela Montenegro
T.J. Thyne - Dr. Jack Hodgins
Tamara Taylor - Dr. Camille Saroyan (Season 2)

Wednesday, May 16, 2007

Stargazer in a Puddle (2-22)

The decomposed skeleton of a young woman is found in a shopping cart, but due to an aging disease she is reconstructed by Angela as an 80-year-old woman. Booth and Brennan investigate and are led to a former caretaker of the victim, but their lead is shaky and they have trouble finding out who would want to kill such an innocent young woman. Meanwhile, Max Keenan, Brennan's father, reappears with information from her past. Also, Hodgins and Angela walk down the aisle, but everything doesn't go as planned

Quotes

add » Angela: And this time, art made science her bitch. (edit) Angela's Dad: (to Hodgins) You should play it in the key of G Demolished. (edit) Christine Brennan: (From the videotape) Hi, Temperance, it's Mom, I don't know when or if you'll ever see this. I hope to put it in your hands myself, see you again, with my own eyes. This is a hard hard world, your father and I left you and Russ to save your lives. People would have killed you to get us. That's not what this is about. Today is your sixteenth birthday, I'm so sorry not to be there to tell you all the things that a mother should tell her daughter when she turns sixteen. And, I'm sorry not to give you this, it's a heirloom from my side of the family, and starting today it's yours. I don't know how long it will take me to get it to you, but I promise you I will. you're going to hear a lot of things about your parents, especially about your father. He is a good man. It was my insistence to leave you kids, Max would have kept us together, fought until the end, I'm not sure he'll ever forgive me for that. So please, Temperance, I need you to forgive me. And if you can't forgive me, I beg you honey, forgive your father, cause he is a very good man. Remember this, you were cherished in this world, adored. What I did to you may have been wrong, but I did it out of love. I did it out of love. (edit) (Booth punches Max in the face during his "arrest")
Max: Oh, hey, hey, that's good kid, you're throwin'. (Max punches Booth, who groans) What's the matter? Got a glass jaw?
Booth: You know what, you talk too much. (Punches Max)
Max: Right in the face, geez. (Doubled over) Time, time.
Booth: You had enough?
Max: Wait, I'm old.
Booth: There's no time outs during an arrest! (Max gets up and punches Booth. Booth returns with two punches. Max falls to the ground)
Max: Okay, I'm done, I'm done. It's over. I'm finished.
Booth: Let's go. (Takes out the cuffs to arrest Max, who punches him in the groin when he gets close)
Booth: (In pain) Oh, god that really hurts. (Falls to the ground next to Max) (edit) Zack: Booth?
Booth: Yeah?
Zack: Is there any sense in ducking when someone shoots at you.
Booth: Your body ducks whether you want to or not. (Suddenly figures out something is wrong) Why?
Zack: You can read this later, then explain it to everyone. (Hands him a letter from the White House)
Booth: Why me?
Zack: You know more about duty and honor than anyone else I know. (Booth looks touched) (edit)

Trivia

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In this episode, Bones gets a ring from her father. He tells her it belonged to her grandmother and Bones reveals that she never knew she had grandparents. Her father says that they had to lie about not having any family because they had changed their identities. But in Season 1, the episode "Boy in a Bush" Bones tells Booth that she was a foster child until her grandfather got her out. (edit) This is Brennan's mom's second appearance in the show and they were both season finales. (edit) In one shot at the wedding, as the harp music is playing and Booth is explaining how he arrested Brennan's Dad, you can see the harpist in the background, clearly not playing anymore. (edit) Angela getting married in Fiji was first mentioned in season one's "The Woman in the Car." (edit) When Brennan looks up at the sky through a window in Cynthia Cole's house, she sees a sky full of stars, and even a shooting star. There's no way that many stars would be visible in a large metropolitan area like Washington D.C

Allusions

add » Hodgins: I don't know what that means.

This is an allusion to the line that Dr. Brennan coined on the show when she is oblivious to a pop culture reference.

Wednesday, May 9, 2007

The Glowing Bones in the Old Stone House (2-21)

Glowing bones are found in an old stone house, and Brennan and Booth are called in to investigate. They find that strangely, the bones are not radioactive and lack any other explanation for why they would be glowing. With the victim identified, the team sets off to figure out the murder mystery.

Quotes

add » (Booth and Brennan talk about catching Carlie's murder)
Brennan: We do this all the time, you know, I should be used to it. It shouldn't bother me.
Booth: No, it should. (looks at her for a while) Was she really gonna teach you how to cook?
Brennan: Yeah. I've always understood the basics of cooking, the physics of it, but Carlie said she was going to show me what it was really about. To her, she said, that it was a way of...well, she said loving, but then, she was prone to hyperbole.
Booth: Well, hey, I mean, that's what family dinners are all about, right? Those are some of my, my best memories. (edit) Brennan: You still torturing Hodgins?
Angela: He loves it.
Brennan: Just tell him "No." Put him out of his misery.
Angela (laughs lightly): What if I want to say "Yes"?
Brennan: You, get married?
Angela: Sometimes your brain just shuts off because you're in love. (edit) Cam: (after walking in on Angela and Hodgins making out again) Doesn't marriage destroy sex? Please, Angela, say yes! (edit) (Cam walks in on Hodgins and Angela kissing)
Cam: Oh good lord, you have to stop mounting each other in the office. (edit) Booth: You know, you should let me help.
Bones: No, cleaning up, you can do that. (Brings over a hot plate of the famous Macaroni)
Booth: (Sarcastically) Great- (Shocked and giddy) Wow, hee hee, mac and cheese, wow, Bones, this looks fantastic.
Bones: Yeah, really?
Booth: Yeah, I mean, you-you shouldn't have all this work just for me.
Bones: No, I mean, it wasn't that much.
Booth: (Takes a bite) Mmm, this is unbeliebvable.
Bones: You like it?
Booth: I'd like to be alone with it. (They both chuckle)
Bones: She told me I could go with my instincts, so I put in a little fresh ground nutmeg.
Booth: Well, she taught you well. (Really blown away) Thanks Bones.
Bones: (Brushing it off) Yeah, well, you know, you have to eat right?
Booth: Yeah, gotta eat, always gotta eat. (edit)

Trivia

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GOOF: Different characters refer to Michaelson's character as either being in the Reserves or the National Guard. These are two different entities within the US Army. (edit) GOOF: When David Boreanaz is walking away from his conversation with T.J. Thyne's character about marriage, he is not looking, and runs into the edge of the partition, and you can see him jolt if you watch closely. (edit)

Allusions

add »
Booth: Okay, what are we missing here?
Cam: The Stooges.

This is an allusion to the Three Stooges, a slapstick comedy trio, who made people laugh by essentially slapping each other and inflicting slight physical pain that was over exaggerated. (edit) Bones has a hard time with the victim because she had met her and had arranged to meet her again, saying that she's not used to knowing the victim. This isn't exactly true. In The Man in the Morgue, one of the victims is a coworker, in The Woman in Limbo the victim is her own mother, and in The Bodies in the Book a victim is her publisher. That's three seperate instances where she's known the victim

Wednesday, May 2, 2007

Spaceman in a Crater (2-20)

A mysterious dead man is found in a crater with his body flattened as if he had fallen from the sky. Brennan and Booth try to find out who the man was while Hodgins comes up with different conspiracy theories involving aliens. Booth and Brennan find out the man was an astronaut who was murdered, and a complicated murder case unfolds.

Quotes

add » Brennan: I bet if you told the agency you're going to identify Colonel Howard to the press they'd be a little more cooperative.
Booth: Yeah. You know, I've been a wonderful influence on you.
Brennan: Actually I learned that move from Cam. (edit) (At restaurant, Jack pushes small velvet box across the table to Angela)
Jack: I believe that if two people care enough for each other, the rest of the world disappears to them. I feel that when I'm with you. (Angela opens the box to reveal a diamond engagement ring) I'm prepared to put you ahead of me for the rest of my life. Angela Montenegro, will you marry me? (edit) Booth: You eat yet?
Bones: I said I’d wait…how did you know that James would tell me?
Booth: Well, man loves his wife. May not be strong but, he has a conscience.
Bones: See, I…I can’t tell that stuff.
Booth: And I can’t tell the difference between coral and bone, so, guess we make a great pair. (Rushing) Hey, speaking of marriage, Hodgins is going to propose to Angela tonight.
Bones: Hmm.
Booth: What?
Bones: I guess right now it looks to me like marriage is having someone who’ll slap your enemies and then toss their dead bodies out of airplanes.
Booth: Try not to mention that to Angela. (edit) Hodgins: (Confused after Angela’s refusal) I don’t know whether I should laugh, cry or punch out the sommelier. (edit) Hodgins: (After Angela has turned down his proposal) But you love me?
Angela: More than you know. (edit)

Trivia

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At one point Bones refers to "a thousand RPMs". Any scientist would know that RPM is already a plural. (edit) At the very beginning of the episode there are two cows facing the camera. The cow on the right has some short rope tied around both of it's front hoofs which you can see when it picks up it's left hoof to complete it's turn but it cant because of the rope tied to it's other hoof. Presumably they did this to keep the cow facing the correct direction during the shot. (edit) Goof: When Bones says she learned the blackmail trick from Cam, this is wrong. She used the EXACT same trick in the pilot to get Booth to take her in the field when she threatened to tell the press that they found Cleo Eller, and that was long before she knew Cam. (edit)

Allusions

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Cam (to Zack) Igor!

Igor is the usual name of a stock character who is the assistant to a mad scientist. Originally from the 1939 movie Son of Frankenstein. (edit) Booth: Broadsword?! Where do you people come up with this stuff?

This could be an inside joke, considering the many times David Boreanaz used a broadsword in Angel and Buffy the Vampire Slayer. (edit) Zack: Little green men?
Hodgins: Grey. They're grey, not green. Grey.

This is an allusion to The X-Files and the long Moulder's quest to convince everyone that aliens are grey (let alone convince them they exist).

alternatively it could be seen as a allusion to Stargate SG-1 where the "little green men" are grey.... and asgard. (edit) Booth: Broadsword, like King Arthur?

This is an allusion to King Arthur, who is an important figure in the mythology of Great Britain, where he appears as the ideal of kingship both in war and peace. He is the central character in the cycle of legends known as the Matter of Britain. He was said to be born in the 5th century. There is disagreement about whether Arthur, or a model for him, ever actually existed, or whether he is a mythic figure who has been given a historicised setting. (edit) Booth: (sarcastically) Come on, four hits simultaneously with a broadsword? What, was he attacked by the Knights of the Round Table?

This is an allusion to the Knights of the Round Table who were those men awarded the highest order of Chivalry at the Court of King Arthur in the literary cycle The Matter of Britain. The table at which they met was created to have no head or foot, representing the equality of all the members.

Wednesday, April 25, 2007

Player Under Pressure (2-19)

All team members are working to identify the bones from a college athlete who suffered a lot of fractures. After the body is identified they talk to his sister and somebody who acted as a sort of an advisor for the deceased. Angela and Hodgins have an important talk. Zack is overwhelmed by having to reconstruct the crushed bones to form a skeleton.

Quotes

add » Bones: How did he get into college?
Booth: Basketball. (edit)

Wednesday, April 4, 2007

The Killer in the Concrete (2-18)

Booth and Brennan investigate the case of a partial skeleton found in cement. Booth thinks a member of a crime family - Hugh Kennedy - is to blame, but when he hears word that Hugh was burnt to death in a car things get more complicated. Booth finds out that Hugh is actually alive, but then gets kidnapped by him. Brennan must now find Booth before he is hurt, but this is harder to do than she thinks, and she ends up going to great lengths to get Booth back safely.

Quotes

add » (Booth, Brennan and Cam talking about Icepick's amputated leg)
Cam: (to Booth) Was she pretty?
Brennan: Icepick is a male.
Cam: I mean the bounty hunter who gave Booth the slip.
Booth: You know, she didn't get away because she was pretty.
Brennan: (smiling and teasing) She was a she?
Booth: No, she was a - Oh, god! (grabs his jaw in pain)
Cam: What's wrong with your mouth?
Brennan: I'm guessing the anterior (holds out her hand to touch his jaw but Booth slaps her hand away) molar on the left side is infected. The leg was surgically amputated.
Cam: Go to a dentist.
Brennan: He's afraid of the dentist. (edit) Veleska Miller: A guy like you must be going crazy in the FBI.
Booth: What kind of guy is that exactly?
Veleska Miller: I'm a bounty hunter, sport, I read people fast or I die. You are not standard government issue. (edit) Booth: As a friend of mine likes to say, don't jump to conclusions until all the evidence is in.
Brennan: If the facts are in then it's not jumping to conclusions, so I never said that.
Booth: I never said that the friend is you. (edit) Zack: (to Cam) I'm with you. I'm with you not ahead of you. (edit) Bones: Why didn't you just, just tell them about Kennedy?
Booth: You know, I needed to give you time to find me. I've been tortured worse. (edit)

Trivia

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Goof: At the end in the diner, Booth puts the dolphin down on the table before they sing and takes a drink from his cup. When the camera pans out, after they sing, he has the dolphin back in his hand and puts it down again, showing a goof in continuity. (edit) It is revealed that one of the cars that Hodgins drives is a fast Italian car. (edit) The end conversation with Booth and Bones in the diner is much like the conversation in the church at the end of "Aliens in a Spaceship". However, the roles have been reversed. Instead of Booth saving Bones as in that episode, Bones found and saved Booth. This marks a balance in their partnership. (edit)

Allusions

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When Booth was tortured, we could see that he had a wound on his forehead but towards the end of the episode when they were singing the wound was gone. (edit) When Booth said "I've been tortured worse," it could be an allusion to all the torturing that he went through in both Buffy and Angel.

It could also be a reference to the old wounds Bones identified in series one "two bodies in the lab". While a sniper he was tortures and had his feet broken with pipes. (edit) Booth: I had to give you time to find me.

This is an allusion to Booth having the same faith in Bones that she had in him in the episode "Aliens in a Spaceship". During that episode, when Bones and Hodgins were trapped, she knew that Booth would find them.

Wednesday, March 28, 2007

The Priest in the Churchyard (2-17)

A water main bursts in the middle of a cemetery, leaving lots of coffins to litter the grounds. Brennan is called in to identify the remains so they can be reburied. When she finds the remains that have only been there for five years after being told no one was buried their in fifty years.

Booth decides to bring Brennan to see his shrink so that they can work on getting their relationship back on track.

Things get intense between Hodgins and Angela, when Hodgins makes a bold move.

Quotes

add » Angela: All right, listen up, Monty Python. You got it right with Hodgins and I, that's fine. But we both know that you are full of it on the other thing.
Gordon: (faking surprise) I have no idea to what you refer.
Angela: Brennan didn't run off with Sully because she cannot live a life without focus. She stayed because of Booth.
Gordon: Ah, now you're projecting Miss Montenegro. Agent Booth and Dr. Brennan are not you and Dr. Hodgings. I stand by my diagnosis.
Angela: You stand by the FBI. Your first priority is to get agents back into the field. Solving murders.
Gordon: (amused and guilty) Your romanticism is endearing, but as the bard says, "Lovers and madmen have such seething brains, such shaping fantasies, that apprehend more than cool reason ever comprehends".
Angela: He also says, "Journeys end in lovers' meeting, Every wise man's son doth know." (edit) Angela: So, things are all right?
Brennan: According to the psychiatrist we were both concerned that Booth was the real reason that I didn't run off with Sully.
Angela: (incredulously) It wasn't?
Brennan: No. It's because I'm currently unable to live a life without tangible focus, so, you know, sailing around paradise with a man I adore.
Angela: (even more incredulously) Well, you believe that? (edit) Gordon: You're both afraid that the reason Dr. Brennan didn't sail off into the sunset with her boyfriend Sully might have been because of her ties to Agent Booth.
(Booth and Brennan look at each other guiltily proving Gordon is right)
Gordon: You are both quite wrong. (Both Booth and Brennan look very surprised)
Brennan: Why didn't I go with Sully?
Booth: How's he supposed to know?
Brennan: Sully is perfect. We communicated well, the sex was incredible. He invited me to sail around the South Seas in a beautiul yacht for a year. I mean, why would anyone turn that down?
Gordon: In my opinion, you are unable to lead a purposeless life at this stage of your psycho-social development, which by the way is an issue you should address, because a certain amount of purposelessness is necessary to lead a full life.
Brennan: I hate psychology.
Booth: You don't like it because he's saying that all this tension between me and you is your fault.
Gordon: On the contrary. If anything, yours is more pronounced given that your behaviour has been affected by what turns out to be a quite irrational fear of being responsible for somebody else's destiny.
Brennan: That makes sense.
Booth: Oh, now you like psychology.
Brennan: I think you'll both be able to work together just fine. (edit) Brennan: I have no intuition.
Booth: None. Zilch.
Brennan: You have no analytical skills. You're all about emotion and feeling. They say that means you have a well developed feminine side.
Booth: Who says that?
Brennan: Psychologists. What? You're the one who believes in them.
Booth: Let's just stick to the case. (edit) Brennan: (In the interrogation room) Booth kicked me out of here.
Gordon: For you to say "kicked out" means that you have acquiesceded the idea that this is his domain.
Brennan: Domain. Yes, he's good at questioning people, he can tell when they're lying.
Gordon: Can you?
Brennan: I've learned a lot from him about people.
Gordon: But.
Brennan: It's not that Booth has a sixth sense. There is demonstrably no sixth sense to have. Obviously he reads minutiae of body language, pupil dilation.
Gordon: Yes, you don't sound very satisfied with your own argument there.
Brennan: Booth likes to say that "There are more things in heaven and earth, Bones, than are dreamt of in your science". That's a bastardization of a writer named Shakespeare from a play called Hamlet.
Gordon: Yes, yes, I was, I was aware of that. So, if you're so uncomfortable here why come?
Brennan: Because something goes on in here. He does something.
Gordon: And you wanna find out what it is. Dissect it so that you can do it yourself.
Brennan: Yes.
Gordon: So that you can do it without Booth. So that you won't need him anymore.
Brennan: No!
Gordon: No?
Brennan: No. I just want to observe.
Gordon: Surely if you want to observe you can do that on the other side of the mirror there insetad of insisting on being in this room, with him, out of your element.
Brennan: Observation isn't just seeing Dr. Wyatt, it's experiencing. Ideally, I'd prefer being inside Booth's head. Seeing and feeling things the way he does. Then maybe I'd understand.
Gordon: Be one with him.
Brennan: In a scientific sense.
(Gordon nods incredulously) (edit)

Trivia

add »
This episode does not have any trivia. Add some now!

Allusions

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[b]Angela[/b]: All right, listen up, Monty Python.

[b]Monty Python[/b] is the name of a British comedy troupe that was popular in the late 1960s and 1970s for its irreverent, fast-paced television series. One of the most distinctive actors is John Cleese, who has a particular English accent, which is probably what Angela is reffering to. (edit) Angela: He also says, "Journeys end in lovers meeting, every wise man's son doth know."

This is from William Shakespeare's Twelfth Night, or, What You Will, Act II, Scene III. (edit) Gordon: "Lovers and madmen have such seething brains... "

This is a line from A Midsummer Night's Dream by William Shakespeare, Act V, Scene I.

Wednesday, March 21, 2007

The Boneless Bride in the River (2-16)

The team investigates the death of an Asian woman without any bones left in her body. Sully proposes something to Brennan that she does not expect.

Quotes

add » (Booth and Brennan at a stakeout inside a car)
Booth: Sully is a nice guy.
Brennan: That sounded condescending.
Booth: I'm just trying to be nice, ok? I'm complimenting the fact that you got a good one this time.
Brennan: Thereby implying I'm incapable of making my own judgments.
Booth: The physicist who couldn't tie his shoes. Oh, the former professor who was jealous of your success. Should I stop?
Brennan: Yes.
Booth: Oh, the guy that you found on the Internet and then turned out to be some kind of recruiter for a cult. Oh, and this is my favorite: a guy who cut off his own brother's head because he thought he was possessed by a witch.
Brennan: You made your point.
Booth: I'm just saying, a guy who wants to take you away from all of this on a sailboat? That's a step up.
Brennan: Condescending. (edit) Brennan: You had a vacation and never left town.
Booth: It wasn't a vacation, it was a suspension.
Brennan: Plus compulsory therapy.
Booth: Hey, dude, don't knock therapy, ok? Dr. Wyatt has helped me realize that there are certain (looks pointedly in her direction) pressures that build up on the job and I need creative ways -
Brennan: We do everything together.
Booth: Of dealing with them.
Brennan: What, what exactly do you have to contend with on the job that I don't?
Booth: You Bones, you don't have to contend with you. (edit) Angela: You want me to take this face and build a skull for it???
Cam: Can you do it?
Angela: No.
Zack: You're always taking skulls and putting on faces - can't you simply reverse the process?
Angela: No.
Cam: Why not?
Angela: Because I am a human being! (edit) Brennan: Rationally...rationally thinking I want to go and I know, I should go but...I can't.
Sully: What you are doing, it's important. But it's not important enough to be your whole life. (edit) Bones: Sully bought that boat.
Booth: (Sarcastically) Yeah, hah, next thing you know he'll be shipwrecked on some island talking to a volleyball.
Bones: He's leaving for the Caribbean.
Booth: Really? (Sympathetic) Look, I'm-I'm sorry Bones, I know the two of you were kinda hittin' it off.
Bones: He wants me to go with him.
Booth: (Shocked and uncomfortable) Oh...um..yeah.
Bones: He says I should take a year off, a sabbatical, he says it would be fun.
Booth: (Rushes) Yeah, it would be.
Bones: (Confused) But you just said he'd be shipwrecked with a volleyball.
Booth: Well, he's got you he doesn't need the volleyball.
Bones: You think I should go?
Booth: (Takes a long pause and then looks at her) Yeah, yeah, you know, what's one year out of your life? You know, a person's gotta live wide, this is kinda narrow. (edit)

Trivia

add »
The fact that Bones' boyfriend David never returned after the second season started is explained in this episode. When Booth says "The guy you met on the internet who turned out to be a recruiter for a cult." This is obviously David because Booth was going in order. (edit) When Sully sails away, we see that he has named his boat Temperance, after Dr. Brennan. (edit) Goof: Angela tells Dr. Brennan that she has worked every day since they have met, and that Dr. Brennan has never gone on vacation. This is untrue, because instead of going to Darfur, recently she went on vacation to North Carolina to reconnect with her brother. Dr. Brennan talks about it with Booth, on the car ride to the train wreck accident in the episode "The Titan on the Tracks". (edit) This is the first time that Temperance refers to herself as "Bones", previously showing no affection for the name, she now accepts her nickname from her partner Seeley Booth. (edit) Originally, the squints say that William Chang died 2 years ago, however they later say that he died 3 years ago. (edit)

Allusions

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Booth: Whoa, what are you saying, she was killed by Wile E. Coyote?

This is an allusion to the Cartoon Character Wile E. Coyote, a coyote that tried various ways to kill the Roadrunner, with anvils, steamrollers, boulders and other various outrageous stunts, usually with a disastrous outcome. (edit) Angela: Oh, alright, leaving The Third Circle of Hell.

In the Third Circle of Hell, in Dante's Inferno, the Gluttonous must lie in mud and endure a rain of filth and excrement, much like where the victim was found. (edit) After the theme song when Brennan walks up to Sully on the boat, she responds to his greeting of "Hey Dr. Brennan" with "Agent Sullivan I presume".
This could be an allusion to the famous greeting "Dr. Livingstone I presume?". (edit) Brennan: I brought a bunch of chimpanzee bones and pulled the old a switch-a-ma-call-it.

This is an allusion to two terms. The first is switcheroo which is slang for a slight of hand switching of objects, and the second what-cha-ma-call-it is a slang term used when a person doesn't know what to call something. She blends the two terms also alluding to her misuse of slang and pop culture references from the beginning of the series that has recently been decreased. (edit) Booth: The physicist that couldn't tie his shoes. Oh, the former professor that was jealous of your success, should I stop?
Bones: Yes.
Booth: Oh, the, the guy that you found on the internet and him being some kind of recruiter for a cult. Oh and this is my favorite, the guy who cut off his own brother's head because he thought he was possessed by a witch.

This is an allusion to, Temperance's former boyfriends, in order of allusion:
First introduced in:
The Pilot Peter St. James
The Girl in the Fridge Michael Stires
Two Bodies in the Lab David Simmons
The Headless Witch in the Woods Will Hastings

Wednesday, March 14, 2007

The Bodies in the Book (2-15)

Quotes

add » (Booth and Brennan in her office after having solved the case)
Booth: Tell you something: the sales of your book are gonna skyrocket after this.
Brennan: The only problem is, our ending is a lot better than the one I wrote in the book.
Booth: What, are you kidding me? Huh? Kathy Reichs and the FBI guy in the back of the AMG?
Brennan: (smiles) The arrest.
Booth: Oh, yeah, there's that. (edit) (Brennan has just stormed out of Booth's office upset over the copycat murders)
Booth: She wasn't this emotional before you came in the picture.
Sully: Ah, I thought you weren't interested.
Booth: Ha! Right, look, I don't need that, ok? Believe me, ok? I'm gonna go and talk to Sadie Keller's husband and why don't you (pejoratively) go back to your office there and sort through the fan mail, right? Bye. (edit) (Booth and Brennan at the marina)
Booth: So, is it just me, or is this, you know, kinda weird?
Brennan: What?
Booth: In your new book, they found a body at the marina, right?
Brennan: You read my book?
Booth: Of course. A guy at the dock saw something floating in the water, thought it was a dead fish, ended up being a decomposed hand. A dive crew just located the rest of the body.
Brennan: I didn't think you would have the time to read my book.
Booth: You have time to write it, I have time to read it. Besides, you can't avoid the damn thing, your book's everywhere. (edit) Sully: (To Booth and Brennan) Congratulations! You guys make a great team.
Booth: That's true. (Looks at Brennan affectionately) So true. (edit) Booth: You're gonna come at me like you came at Sully?
Brennan: What is that supposed to mean?
Booth: Look, far be it from me to stick my nose into your bedroom but I've known Sully a long time and believe me, he's one of the good guys.
Brennan: I know Sully, Booth.
Booth: Yeah, and I know you. Somebody gets too close you just wanna push them away. (edit)

Trivia

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Brennan now has three published books. They include (in order) Bred in the Bone, Cross Bones, and Red Tape, White Bones. Red Tape, White Bones is Brennan's newest book and is the book featured in this episode. (edit) Camille reminds Temperance that in the end of her books, Kathy Reichs always gets the murderer. Kathy Reichs is the real forensic anthropologist whose life the show is based on. In essence, she has become a character in a book written by a character in a story created by her. (edit)

Allusions

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"Strangers On a Train"

The plot of this episode is similar to that of "Strangers On a Train". In the movie, two strangers meet on a train and make a deal to kill one guy's wife and the other's father. In this episode, three people make a deal to kill each other's targets. The plot of "Strangers On a Train" has also been used in many other TV series and movies including an episode of CSI ("A Night at the Movies" 3x19). (edit)

Wednesday, February 14, 2007

The Man in the Mansion (2-14)

Booth and Brennan investigate the death of Terence Bancroft, one of the Jeffersonian's major donors, found dead at home. Hodgins compromises the case and the reputation of the lab when he removes some evidence that would link him to the Bancroft family and to the case itself. Due to this, Brennan must make an important decision about her team.

Booth, although cleared by Dr. Wyatt (guest star Stephen Fry) to use his gun, must continue to meet with the psychiatrist.

Quotes

add » (Dr. Wyatt and Booth in Booth's office eating take away)
Booth: Hey Doc, what we're doing here, would that be considered therapy?
Dr. Wyatt: Oh, absolutely. Especially since I'm about to inquire whether you have experienced any outbursts of temper since I requested you alter your dress code.
Booth: Yeah, one of the squints, Hodgins, decided the rules, they didn't apply to him, he got entitled jeopardized my murder case.
Dr. Wyatt: Ah, and you confronted him physically?
Booth: Physical confrontation, that's my main skill.
Dr. Wyatt: Entitled you said. Is he a wealthy man?
Booth: Yeah, like the guy who got killed.
Dr. Wyatt: The murder victim, who tried to help a child and then died for it? And your...squint?
Booth: Yes, squint.
Dr. Wyatt: Extraordinary. Your squint, tried to help a friend, so they both endeavoured to do good.
Booth: With no clue the way things are.
Dr. Wyatt: The way things are as defined by a working class lad from Pittsburgh.
Booth: That's right, Pittsburgh. Where I'm from, alright? From the streets where you get a sense of how the world really is. (edit) Dr. Wyatt: In point of fact it is therapy.
Booth: What? No! No, it's not. It's an evaluation.
Dr. Wyatt: I've already certified you as fit to carry a gun and go back to work.
Booth: Ok, then why are we meeting?
Dr. Wyatt: Well, because you discharged your weapon at an ice cream truck. My provisional certification of your mental health only holds as long as you continue to meet with me.
Booth: Great. For how long?
Dr. Wyatt: Till I'm satisfied that you won't start firing at confectioneries again. What's your objection to therapy?
Booth: You know what, Doc? I am not the kinda guy who has anything to hide.
Dr. Wyatt: Do you know? I often find that when people declare what they are not, it almost invariably turns out that's exactly what they are.
Booth: Great, then, you know what? No more declarations from me. (edit) Booth: You now what? I did the belt buckle, I did the tie, I did the socks. What else do you want from me?
(Dr. Wyatt gives Booth a meaningul look)
Dr. Wyatt: What would you say if I told you that my name actually is Gordon Gordon Wyatt, that my first and middle names are the same? (edit) Brennan: Why you call your psychiatrist "Gordon Gordon"?
Booth: That's how he introduces himself, y'know, "Hi, I'm Gordon, Gordon Wyatt".
Brennan: Like "James, James Bond"
Booth: "Bond. James Bond". Not James... Ja... Jam... whatever. (edit) Caroline: Turns out Hodgins here had motive to kill the man himself!
Hodgins: Eight years ago, maybe. But not now. I've got Angela. (edit)

Trivia

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Goof: In this episode Cam tells Hodgins that he can't work the case because he knows the victim but in the season finale of season 1 Bones worked on her mother's case and she knew the victim too. (edit) Goof: At the very end when Brennan and Sully come into the Jeffersonian and begin to kiss, a blond girl in the background walks off the screen. Then it cuts to a shot of Angela and when it comes back to Sully and Brennan the blond girl is still walking off screen, and not completely gone like she was at the end of the last shot. (edit) Goof: The writing on the back of the photo doesn't match between shots. When Hodgins opens the back of the frame, the description on the photo states the names in one line, plus an extra second sentence before the date. On the close-up shot the names are over two lines and only the date. (edit)

Allusions

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Caroline, the prosecuting attorney makes references to various events from previous episodes.
Booth - "Dropping serial killers off of balconies" - Howard Epps was killed when he jumped from Brennan's balcony. Booth initial caught him but his grip slipped and Epps fell to his death. Episode 12 - The Man in the Cell.

Angela - "Blabbing suspect's names to vengeful fathers" - The father of a young, female college student who was found dead visited Angela, asking about the case. Angela mentioned the name of a male suspect. The father later killed the man, who turned out to be innocent. Episode 13 - The Girl in the Gator

Cam - "Cuttin' into heads before their times gettin' poisoned" - Cam was examining the severed head of a Howard Epps ex-wife. She neglected standard procedures and cut into the head prior to getting a full set of x-rays, under pressure from Booth to speed up the examination. Inside the head was a fragile vessel filled with poison. The vessel broke, releasing the poison and nearly killing Cam. Episode 12 - The Man in the Cell.

Zack - "Gettin' blown up because you go grabbin' things you shouldn't have" - Zack and Booth discovered a body with a bag of plaster dust on its abdomen - another victim of Howard Epps, and a clue in his game. Zack grabbed the bag, just as Booth realized the body was booby trapped. Booth pulled Zach away as the bomb exploded, leaving them with only minor injuries. Episode 12 - The Man in the Cell

Hodgins - "Taking photographs from frames" - Hodgins removed a picture of him and the victim on a trip from a frame that was brought to the lab as evidence. Hodgins wanted to be able to be a part of the murder investigation and knew he would not be able to if his connection to the victim and the victim's wife (Hodgin's former fiance) was discovered. Episode 14 - The Man in the Mansion.

Booth - "Getting a perfectly good car smashed to bits for NO good reason" - Presumably this refers to Booth shooting a clown face on top of an ice cream truck. This event led to him being suspended from duty until he was evaluated by a psychiatrist. Agent Sully was assigned to be Bones' partner during this time. Episode 13 - The Girl in the Gator.

"Getting a perfectly good car smashed to bits for NO good reason" -
This more likely refers to the end of Episode 11 "Judas on a Pole" in which Bones' brother Russ, on the run with her father, smashes the car Booth borrowed from Caroline. (edit) Booth: Oh hey Doc, Doc. Why is it that the belt buckle is provocative?
Dr. Wyatt: Oh, it's a modern day codpiece. Forces the eye to the groin.

A CODPIECE (or Braguette) was originally an inverted triangular section of cloth sewn into the hose around a man's groin. By the 16th century, the codpiece was padded and boned and became so large that it was often used to carry small weapons, jewels or food (hence the reference to a man's genitalia as the "family jewels").

Wednesday, February 7, 2007

The Girl in the Gator (2-13)

Brennan has to work with another agent, Agent Sullivan, while Booth needs to see a therapist.
They investigate the death of a college freshman, who took part in a 'Girls Gone Wild' type of video and whose body is found in an alligator.
Sullivan asks Brennan out.

Quotes

add » Dr. Wyatt: According to the FBI report, there was no way you could save Epps' life. Your partner's report says the same thing. An FBI sniper on the upside roof saw everything through his scope. According to all witnesses you have nothing to feel guilty about.
Booth: (depressed) Yeah, so?
Dr. Wyatt: So why in a fit of pique did you endanger innocent people in a public thoroughfare by discharging your firearm?
Booth: I'm a good shot. I didn't put anybody in danger.
Dr. Wyatt: How many people have you killed?
Booth: I lost count.
Dr. Wyatt: Oh, you could remember 180 bricks but not how many lives you've taken?
Booth: Epps makes fifty.
Dr. Wyatt: Fifty what?
Booth: (weighed down) Fifty kills.
Dr. Wyatt: But Agent Booth, you didn't kill Epps! You tried to save him, remember? Perhaps I better put it as a question: did Howard Epps slip from your grasp or did you release him? (Booth ponders the moment Epps fell in a flashback, he can't answer) Oh, come now man, this is a simple enough question. Was he indeed your fiftieth kill or did you just happen to be there when he died?
Booth: (very vulnerable) I - I don't know.
Dr. Wyatt: A man like you? In control of every situation and you don't know?
Booth: I don't know...I had him and then I lost him and something happened in between. (almost in a whisper) I don't know.
Dr. Wyatt: I believe you. Because for a man like you to admit you don't know, to relinquish control, that could indeed argue a disruption in your self-you that was large enough to motivate you to shoot a clown. (edit) Dr. Wyatt: You tend to do things well, don't you? Make coffee, build BBQ machines.
Booth: It's not really a machine.
Dr. Wyatt: Solve crimes, raise a son, love women, leave women. Whatever you aim at you hit.
Booth: Is that bad?
Dr. Wyatt: By no means, of course not. Except...
Booth: Oh, ok, here we go. Let me have it, Doc.
Dr. Wyatt: Except it is indicative of a need to control your environment.
Booth: Again I ask, is that bad?
Dr. Wyatt: No, of course not, no. Except...
Booth: Except?
Dr. Wyatt: Except when you shoot a clown.
Booth: You know, you make it sound like he was walking around making balloon animals.
Dr. Wyatt: For the most part your rebellions are small.
Booth: Rebellions?
Dr. Wyatt: The colorful socks, the funky belt buckle. They're a mechanism, quiet rebellions. A Way of asserting your personal control over a homogenizing organisation like the FBI. But shooting a clown is not a quiet rebellion. Shooting a clown is quite literally deafening. (edit) (Booth and Brennan talking on the phone. Brennan has another call coming in)
Brennan: That's Sully calling right now. (hesitant) We're, uhm, we're doing, you know, what we did.
Booth: (a little worry in his voice) You know, I'll be back soon.
Brennan: Ok. I'll talk to you later.
(Booth hangs up and remains thoughtful and slightly worried) (edit) (Nighttime. Booth is knocking at Dr. Wyatt's door)
Booth: Hi.
Dr. Wyatt: Did we have a schedule?
Booth: Listen, I really need to get back to work, yo why don't you give me one of those clown restraining orders and just sign my paper?
Dr. Wyatt: Have you had an insight then as to why you shot at that clown?
Booth: (Booth's cell rings) Yeah. You know what? I've had some insight. It's right here. (pointing at the display of his phone) That's my Bones calling, my partner. (edit) Booth: Dr. Wyatt.
Dr. Wyatt: Ah, Agent Booth is it? Yes, Gordon. Gordon Wyatt. (extends his hand to Booth but instead of his hand Booth pulls out a piece of paper from his back pocket)
Booth: Great. You the shrink?
Dr. Wyatt: Shrink, yes, meaning psychiatrist.
Booth: That's great, Doc. How's about you just sign my piece of paper here and I'll get back to work, right?
Dr. Wyatt: Certainly. (Booth hands him a pen) No, no, I have a pen. Do you mind if I ask what exactly it was that you did?
Booth: Yeah, I shot a truck.
Dr. Wyatt: Ah, full of terrorists no doubt or plutonium or fleeing felons, was it?
Booth: Nah, it was an ice cream truck.
Dr. Wyatt: You have a good reason for firing on it?
Booth: Yeah, the music, it was bothering me.
Dr. Wyatt: Ah.
Booth: Yeah, there was a speaker in the clown's mouth? Yeah, I just pulled out my gun, you know, bum-bum-bum. It was gone.
Dr. Wyatt: (folding the paper without signing it) So, the FBI sent you to me because you shot a clown?
Booth: Not a real clown.
Dr. Wyatt: (handing Booth the paper back) I suggest you cogitate on the underlying reasons why you shot that clown while i make us some tea. (goes into the house)
Booth: Cogitate? Tea? (edit)

Wednesday, January 31, 2007

The Man in the Cell (2-12)

Originally aired: Wednesday January 31, 2007 on FOX
Writer: Noah Hawley
Director: Jesús Salvador Treviño
Show Stars: T.J. Thyne (Dr. Jack Hodgins), Michaela Conlin (Angela Montenegro), Eric Millegan (Zack Addy), Tamara Taylor (Dr. Camille Saroyan (Season 2)), Emily Deschanel (Dr. Temperance Brennan), David Boreanaz (Special Agent Seeley Booth)
Guest Stars: Janet Tamaro (TV Reporter) , Sandra Purpuro (Dr. Barbara Young) , Giovannie Pico (Rose Alipio) , Kathy Lamkin (Marianne Epps) , Pancho Demmings (FBI Agent Jay Ramirez) , Mik Scriba (Warden T.C. Everett) , Ty Panitz (Parker Booth) , Christie Lynn Smith (Caroline Epps) , Heath Freeman (Howard Epps)
Production Code: 2AKY12

Smoke is coming out of the prison. The DCFD has responded. Inside the prison, Booth and Brennan are trying to get information from the warden. Booth asks where the fire started. The warden says he doesn't know yet, but that it spread through the ducting. As they are walking, Brennan yawns. She is closest to the cells. Booth says, "Maybe you would like something more exciting, like Attica." Brennan responds that her neighbors are renovating and one of the workmen left his radio on. She observes that hip-hop is not conducive to sleeping. As they walk by cells filled with men, Brennan asks if they are allowed to do that. Booth tells her to cut the warden some slack since there was a riot. The warden explains that the cell doors open automatically in a fire, so the guards had to subdue the inmates so that firefighters could do their jobs. An inmate reaches out and grabs Brennan. Booth pulls her away and keeps his arm around her shoulder protectively. Booth tells her to stay close, because of a lot of the animals haven’t seen a real woman since Reagan was president. The warden points to the cell at the end of the row and tells them that body is in there. Brennan walks into examine the body. Booth asks the warden if he is sure it is Howard Epps. Brennan asks why he isn’t kept on death row. The warden says they don’t have one and explains that Epps was transferred to Bayview so that he would be closer to the courthouse. Brennan pulls on gloves and starts to examine the remains. She says the victim was male, approximately 30 years of age, and that he matches Epps’s general size and build. She also says that contortion indicates a painful death. Booth responds that after killing four teenage girls that we know about, it is just what the doctor ordered. Brennan says it seems like someone threw accelerant on him and lit him on fire. Booth asks the warden if he has any idea who would want Epps dead. The warden says all the inmates hated him and that once the fire started it was chaos. Brennan is examining the arm of the remains. The warden says it could have been anyone. Brennan interrupts while looking at the wrist she broke. She tells Booth that the break is fresh. Booth doesn’t see the significance since bones break in fire. She agrees, but says there is no sign of a prior break. She says this man’s wrist was slammed against a hard edge within the last few hours. Booth asks her what she is saying. She concludes that this is not Howard Epps. The warden says that is impossible. Booth asks if all of the prisoners and guards have been accounted for. The warden says they have. Brennan finds something else. On the remains, Brennan finds a tattoo of the DC Fire Department. The remains belong to a firefighter. Booth surmises that a firefighter comes in to save Epps, but Epps kills him, takes his uniform, and sets him on fire. Brennan finishes by saying that he then walks right out the front door. Booth tells the warden to lock down the prison. Booth gets on his cell phone and says to close down a 30-mile radius, because Howard Epps has escaped.

Cue the title sequence.

On the lab platform, Hodgins, Zach, and Angela are looking at an article and photo in the paper about the Jeffersonian. Hodgins says he looks short. Angela asks if that is important. Hodgins says she was supposed to say no. Zach comments that Hodgins is short. Hodgins replies that the article calls Zach robotic. Zach adds that it also calls him wildly intelligent. Angela asks Hodgins he really called her the heart of the operation. Hodgins says he did, before she called him short. Angela clarifies that Zach called him short. She thinks he is just the right height. She gives Hodgins a look and says short men have better leverage. Zach says he is feeling uncomfortable. Before the conversation continues, Cam asks if they have any answers about the remains on the table. She sees them looking at the article and says she hopes they enjoyed their fifteen minutes of fame because they have a psycho on the loose. She takes the paper from Angela and comments that she photographs well. She hands the paper back and asks what they have. Hodgins says that the accelerant was distilled alcohol. Zach adds that the fractures are consistent with Brennan’s theory. The victim’s wrist was broken to match Epps’s injury and he was rendered unconscious by a blow to the head and then he was set on fire. Angela says if there was ever anyone that should be in Gitmo…Cam agrees but says he’s not, which means more victims unless they stop him first and they will do that or there will be another article written about them that will not be so nice. Then she asks where Brennan is. Angela tells her that Brennan and Booth are talking to Epps’s wife. As Cam leaves the platform, she tells them to id the remains.

In Booth’s office, Caroline Epps tells them she is no longer involved in Howard’s life. Booth says that is hard to believe since she is his wife and all. She clarifies that she is his ex-wife, since the judge signed her divorce papers last month. Booth asks her, “Why didn’t it work out exactly? Was it the lack of quality time or all the women he bludgeoned to death?” She maintains that she thought she could help Howard, but that he used her and she hasn’t had any contact with him in over six months. Booth tells her he wants to place her in protective custody until they find Epps. Brennan tries to reason with her by telling her that the women in Howard’s life don’t tend to live very long. Mrs. Epps appreciates her concern, but says that she has changed jobs, apartments…Booth interrupts saying that if they could find her, Epps can too. Mrs. Epps says she has a new life and a new boyfriend, Raymond. He is good man, but if he found out…Brennan interrupts saying, “We all have secrets in our pasts, Mrs. Epps. Admittedly not as bizarre as yours, but you shouldn’t risk your life just because you are embarrassed to tell your boyfriend the truth.” Mrs. Epps says Howard is interested in young blonde girls and that she isn’t even his type. Booth tells her to contact them if Epps gets in touch. She agrees and walks out of his office. Brennan tells Booth that he can’t let her go because she isn’t safe. Booth says he can’t force her to take protection, but he will have the local police drive by every couple of hours and make sure she’s safe. Booth then points at Bones and tells her she’s not safe either. Brennan says she’s not unhinged, she can take care of herself. Booth tells her, “You and Epps, it’s personal. You’re everything that he hates.” Brennan asks what exactly that is. Booth responds, “Well, you know, you’re smart, strong, confident woman. And you know you, um, figured him out and made him feel powerless, so is going to want to prove that you are weak and inferior. So…you are not to go out alone, on your own, ever.” Brennan gives him a look.

At the Jeffersonian, Booth runs into Cam. She asks if the wife gave them anything. He responds with chills and then tells her to double security at the lab. Cam asks if thinks that Epps is going to come after Brennan. Booth says he can’t rule it out when it comes to Epps. Cam says she’ll take care of it. Booth tells Cam that he doesn’t want her to be alone either. Cam asks if he is inviting her over. Booth says he just thinks that everyone should just stay at the lab. Cam responds saying leave it to a serial killer to spoil the mood. Booth takes a step closer to Cam and tells her that whatever security she thinks is enough, she needs to double. They share a smile and then Cam leans in and kisses Booth. Then tells him that she is glad he is on her side. He smiles and they share a moment. He starts to walk out of the room, while Cam gets back to work, but he pauses and looks back at Cam before leaving.

Angela identifies the burn victim as Donald Kent, a decorated firefighter. She hands Brennan a picture of him, who says that Epps would appreciate the irony. Angela says that Kent was still alive when he was set on fire and asks how many victims that makes. Brennan answers seven that we know of. Brennan sits down at her desk. Angela is seated across from her. Angela observes that they are not just young, blonde women anymore. She continues that Epps is such a monster. He’s killed from behind bars and new victims keep turning up, and now he’s out. Brennan reassures her that they will find him, that they are ready this time. Angela says she’s not. She says she has some sick days coming and since Epps makes her sick that…Before she can continue Brennan interrupts her and tells her that they need her, especially Hodgins. Angela tells her that was low. Brennan gives her a smile, admits that it was, and asks her if it worked. Angela asks Brennan how she deals with the fear. Brennan reaches under her desk and pulls out her bag. She says she has this as she pulls a huge handgun out of it. She checks the rounds. Angela stands up to get a closer look and comments on how huge it is, like movie-huge. Booth walks into Brennan’s office and wants to know where the hell she got the gun. Brennan says the mall. Booth looks at her and repeats the mall. Brennan continues brandishing the gun. She says it’s pretty big, bigger than the one you have. Booth says, “Excuse me, it’s not the that matters, it’s how you use it.” Brennan responds, “I think is pretty important.” Booth says the point is she shouldn’t have a gun in the first place. Angela points out, “if you do have one, bigger is always better.” Booth tells her she isn’t helping. Angela agrees and says that this does seem more like a private conversation and leaves the office. Booth tells Brennan that if people see her with that thing, then everyone in the place is going to start packing. Brennan tells him that this is America and he needs to get used to it. Her office phone rings and she answers. (Cut to Epps on a payphone. He says he has forgotten how nice it is to breathe fresh air.) Brennan motions to the phone and mouths to Booth that it is Epps on the line. He gestures for her to keep him on the line while they try and trace the number. Brennan tells him that they will find him. (Cut to Epps on the phone. He says they’ll see and how nice it is to be out of that stupid orange jumpsuit. He says he has an IQ of a 180 and they had him dressed like a stupid pumpkin.) Brennan tells him he burned a man alive. (Cut to Epps on the phone. He says it was a means to an end. He repeats that everything is a means to an end.) Brennan says she though it was just women he was after. (Cut to Epps on the phone. He says he felt the need to grow as a human being.) Brennan asks him what it is he wants since he wouldn’t be calling otherwise, as Booth gestures for to keep talking. (Cut to Epps on the phone. He says, “I want you to know, that everything that happens from here on in, is your fault.”) Brennan is disturbed and ask him what is going to happen. (Cut to Epps on the phone. He says he can’t answer all of her questions and that she needs to use her head. He repeats that she needs to use her head. He drops the receiver and lets it dangle as he walks away from the payphone.) Brennan hangs up and Booth walks in and tells her they got it. He is on a payphone on Water Street and 23rd.

Booth’s SUV with siren and lights flashing pulls up across the street from the payphone where the receiver is hanging off the hook. Other law enforcement officials arrive. As they get out of the car, he points out the bus stop and says that three different lines run through here. He tells another FBI agent to check all the stops and if there any witnesses to bring them to him. At the payphone, Brennan tells Booth that Epps left them something. She takes out a glove and uses it to pick up the vial he left. There are some sort of pale shavings in it. Booth asks what it is. Brennan doesn’t know.

Back at the lab, Brennan is looking at the magnified shavings on a computer screen with Zach. She says the shavings are bone. Zach adds that they were shaved using a rough sandpaper and that Hodgins found micro-grit. Hodgins walks by and says that if Epps comes near Angela, he will kill him. Zach asks what about the rest of them. Brennan tells Zach that everyone will be fine, since Cam increased security. Hodgins adds that she also has the big gun. Brennan looks questioningly at him. As he continues working, he says, “tough to keep that one a secret---beautiful woman with a weapon---very Guns and Ammo summer issue.” Brennan glares at him. He says he is going to concentrate on his work. Zach says the osteoen-cal places the victim’s age in the mid-30s. He says he will run a test to get sex and race. Hodgins says he has the chemical breakdown. The three move to another screen. Hodgins says the cutters in the bone are organic, a mixture of cardamom, tamarid, and kokam. Zach questions spices. Hodgins says yes, but wants to know why he added spices to it, since the bone wasn’t cooked. Brennan says that Epps like puzzles and that the spices are a message. They are interrupted by screaming. Hodgins says it’s Angela and they take off running.

There is an open box on the desk. Angela is standing a few feet away, scared. Hodgins runs in and wants to know what happened. She points to the box. Brennan, Zach, and Cam move to look. Inside the box is a heart that has been removed from a body and a folded piece of paper. Cam says it is definitely human, an adult, and that DNA can give them sex. Zach says Epps has killed two people today. Cam responds that is only if the heart is from the same victim as the bone dust. Brennan pulls out and unfolds the piece of paper. It is the article from the paper about the Jeffersonian and the team. Every line is blacked out except for the line calling Angela the heart of the operation. Hodgins responds with profanity and tells Angela that she doesn’t need to stay in the office. Angela wants to know how it got into the lab since there is security. Cam says she thought so too. Angela stalks out of the office and Hodgins follows. Brennan is looking at the article. She says that Epps is coming after her through her friends and that Epps told her that whatever happened would be her fault. Cam says they will make sure nothing else happens.

Cam is examining the heart. She says there are cut marks on both sides of the interior vena cava and connecting arteries. Cam tells Brennan that the heart was cut out using scissors or shears. Booth joins them. He says that a bike messenger delivered the package and that a man matching Epps’s description approached him on L Street and paid cash. Brennan says that Epps is just playing with them. Booth says not for long. Hodgins walks in and asks how Angela is. He says she is angry, but insisted on helping him. Hodgins tells them Angela identified the present that Epps gave them as a recipe. Booth asks if he is talking about the heart. Hodgins clarifies that he is talking about the ground up bone that Epps mixed with spices. He says the spices are all used in making curries. Brennan adds Indian food. Booth realizes that the last address they have for Epps’s wife is in Little India over a curry restaurant. Brennan and Booth leave in a hurry.

They approach a door that is slightly ajar. Booth signals for Brennan to stay behind him. He slowly pushes the door open. Brennan pulls out her gun. Booth tells he could have the Bureau pull her license. Brennan responds that she could assign Zach as his forensic anthropologist. She and Booth enter the apartment with guns out. Booth says that the apartment hasn’t been rented since Mrs. Epps moved. Brennan says that it is just isn’t logical since playing games with them is just going to them right to Epps. They make their way through the empty apartment. There is nothing. They are standing in front of the kitchen when Brennan tries the light switch. Nothing happens. Then they hear a noise coming from the refrigerator. Brennan wants to know why it is working when there aren’t any lights. Booth tells her to stand back as he checks for booby traps. He slowly opens the door. Inside on the top shelf is the head of Mrs. Epps.

Brennan is examining the head as Cam looks on. She says the neck was severed just above the shoulders and the jagged marks on the bone indicate that Epps used some kind of saw to decapitate her. Cam says there is no sign of blunt force trauma to the skull, which is Epps’s usual MO, and there is no clear cause of death. Brennan says without the rest of her body they can’t know for sure how she died. Booth is looking on. Cam says she sees some kind of white powder in her hair, which Hodgins can identify. Cam asks why he just left her head. Booth says to get them all involved, since the less they have to work with, the more they are all drawn in. Brennan says that Epps told her to use her head. Booth says that everything that Epps says is a clue. He asks if it could be inside the head. Cam says it is too early to tell. Booth want to know what she means by too early. He says all they have to do is cut open the damn head and find out what’s inside. Brennan tells Booth that there are protocols. Booths says that he is sure Epps is really concerned about the protocols. Cam says it is her autopsy so they are going to do it by the book, which means a surface examine, followed by x-rays, after which she will open the skull. Booth responds, “sorry, I am just a little anxious to get the little gerbil back in his cage, that’s all.” As Cam looks at the head, she says, “That’s terrifically disturbing.” Booth asks what. Cam says there is massive blood aspiration to the soft tissue of the neck. Brennan sighs in disgust. Booth asks what it means. Cam tells him it means that Caroline Epps was alive when Howard cut her head off. Brennan says now he is torturing his victims. Booth says they need to torture him. Brennan asks how. Booth says they are going to bring his mother in. Cam says she thought Epps hated his mother. Booth says that Epps’s FBI profiler believes that he is emotionally attached to her and that the prison logs show that he wrote to her almost every day. Cam says that’s sick. Booth says it is helpful, because if Epps feels responsible for his mother being in jail then they can knock him off his game.

A very large, heavyset woman is in the interrogation room. As Brennan and Booth walk in, he asks what’s that smell. Brennan tells him that it’s mold, which grows in the fat creases of morbidly obese people. Howard’s mother asks what this is about as Brennan sits down. Booth props one leg up on a chair and just watches. She wants to know if they brought her here to make fun of her. Brennan says that she merely stated a fact and that she needs to lose weight since obesity also causes diabetes, heart damage, liver failure, not to mention the wear it puts on her joints. Mrs. Epps says that she has a glandular condition and that what she really needs is a little compassion and understanding. She looks at Booth and asks him why she is here. Booth says that they found some drugs in her place. In the evidence bag is a weekly pill organizer. Booth pulls it out and holds it in front of her. She says that those are her pills and that her doctor gave them to her. She’s says she needs her medicine and reaches for them. Booth pulls them back and says that the pills are not properly labeled so it could take a few days to sort out with her doctor. Brennan tells Mrs. Epps that they are looking for Howard. She tells them that Howard is in jail and that she hasn’t seen or talked to him in years. As Booth sits down, he tells her that Howard escaped yesterday. She says, “Oh dear Lord, I tried to raise a good son. Tried to keep him pure like the good book says. I don’t know what happened. He was such a sweet child.” Booth says that Howard wrote to her all the time. Mrs. Epps says, “He wants me to understand, wants me to forgive him. He says he’s still my little boy, but I don’t answer.” Brennan tells her that Howard murdered his wife yesterday, that he beheaded her. Mrs. Epps asks Brennan if she wants to blame her. Brennan says that she made her son bathe in ammonia. She responds that the women that he would go out with the loose, not the right kind for a God-fearing son. She wanted him to wash their scent off. Booth asks if there is anything else she can think of that might help them find her son before he kills again. She maintains that it is not her fault what he did. Booth says yeah, ok, that’s all for now and that an agent would escort her back to her cell. He adds that she has the right to an attorney. As Booth and Brennan get up, Mrs. Epps says she should have been harder on him, beat him more regular---that she is a nice person, too nice. Brennan and Booth look at her like she is nuts. She repeats that she was too nice.

In Booth’s SUV, Brennan says that Marion Epps is clearly a bad mother. Booth says, “You think?” Brennan responds that a lot of people have bad mothers and they don’t grow up to be serial killers, which is why she doesn’t put much stock in psychology. Booth says she doesn’t car how she explains, Epps is an animal without a conscious. Brennan says she doesn’t know how to draw moral distinctions between killers. Booth says, “Listen, Bones, there are crimes of passion, crimes committed out of desperation, which are usually followed by remorse or acknowledgement of human failing. The key word here is human.” Brennan responds that the reasons for killing someone are unimportant; the life that’s taken is all that matters.” Booth tells her that she can’t blame herself. Brennan says it is her he is after, and that everyone else shouldn’t be involved. Booth tells her again that it is not her fault, which is why he is going to take this little bastard down. Brennan looks out her window and in the rearview mirror sees a car. She tells Booth they are being followed. Booth says she’s right. There are two agents all the time at a very discrete distance. He tells her doesn’t care how big her gun is. Booth gets a call. (Cam is calling him from the lab. She tells him that something was inserted into Caroline’s ear. Epps made an incision in her left ear canal and inserted a token from a kid’s ride at a place called Hillside Park. Booth’s response is “Oh, God.”) Booth says his son plays there every day after school. He hangs up the phone and turns on the sirens and lights as he makes a U-turn.

He and Brennan are running towards into the Park. Booth tells her that Parker comes here every day with his nanny. Booth sees the nanny, Rose, and asks where Parker is. She answers that he is on the merry-go-round. Booth and Brennan call for Parker as they split up to look for him. Booth makes his way around the merry-go-round as Brennan and the nanny keep calling for Parker. Brennan looks around and sees Parker holding an ice cream cone. She calls to Booth and points him towards Parker. Booth takes off running, calling Parker’s name. Parker hears him and runs towards him calling Daddy. Booth pulls him into his arms. The agents that were trailing them are on the scene as well. Parker shows him the ice cream a man bought him. Booth rips the cone from his hand and throws it on the ground. Parker says it was his favorite. Booth tells Parker he will buy him another one. He asks what the man looked like. Parker says he looked like a man and that he said he was Booth’s friend. Booth asks if he said anything else to him. He is very intense in his questioning. Parker says that he used his napkin. Brennan picks it up, looks at it, and hands it to Booth. On the napkin is written: My name is Parker. Ask me how I can solve this case. Booth asks what else the man told Parker. Parker says nothing and that he was just nice. Gripping Parker’s arms, Booth tells him that the man is trying to hurt Daddy’s friends, so he needs him to think what else the man said. He asks him to think. Parker says he didn’t do anything wrong. The man said he was Booth’s friend. Booth, still gripping Parker’s arms, tells Parker he never talks to strangers. He shakes him as he tells Parker again that he never talks to strangers. Brennan puts her hand on Booth’s shoulder. Booth pulls Parker into his arms and tells him he’s sorry. The nanny asks what’s going on. Booth says there is just an investigation going on. He gestures to some agents who will take them home and keep them safe. He gives Parker another hug and apologizes again, as Brennan and the agents look on.

Cam has the head propped up in a jar and is examining it. She says no to Zach as he walks in. Zach says he didn’t say anything. Cam says he has been in here every ten minutes since they left and she will let him know when she is finished. Zach says that he could take the head and x-ray and it and then she could finish. Cam says no, they have these protocols for a reason. Cam gets a call. (Booth is on his cell asking her if she has opened the head yet.) Cam starts to say she just finished telling Zach, when Booth interrupts her. (On his cell, he says, “Epps went after my kid, Cam. You know there’s something there. Something we need. He wants us to find it.”) Cam tells him he is upset. (Booth on his cells says of course, he is upset. He knows there are protocols, but Epps could have killed his son. Then he hangs up on her as Brennan looks on.) Cam hangs up the phone and tells Zach to get her the number two saw. Cam wearing safety goggles starts the saw. She tells Zach that she found some bruising to the back of the head, so she is going to cut below it so she doesn’t disturb the area. Zach says that he hates this part. Cam agrees. She starts to in the middle of the forehead and something explodes causing white powder to spray up. As soon as Cam inhales the subsistence, she starts to have a reaction. Zach moves to help her, when she waves him off and says protocol to him. She hits a button sealing the room as Zach puts on a mask. The alarm sounds in the building and Angela and Hodgins put on mask. Zach is on the phone explaining that there is an unknown hazardous material. Cam collapses onto the ground and is writhing as white foam pours from her mouth. Zach says they need an emergency vehicle at the autopsy lab asap. Hodgins and Angela are at the door. Angela asks what happened, but Hodgins doesn’t know.

Outside of Cam’s hospital room where a nurse is tending to her, the doctor is explaining her condition to Booth and Brennan. Cam’s heart rate is erratic and there is clotting in the kidneys. Booth asks how bad that is. The doctor says bad enough. She continues saying that what worries them more is the lung damage. The toxin has caused edema. Booth asks Brennan what that means. Brennan tells him that it means fluid buildup, that essentially Cam is drowning. The doctor tells Booth that if Cam has family nearby, he needs to send for them. Booth walks away saying that Cam has a lot of family. Brennan asks the doctor how much time Cam has. The doctor just responds to send for her family. Brennan walks over to Booth as Hodgins walks in caring a red plastic bundle. He says that Zach saw everything. Brennan asks how close he was. A few feet says Hodgins. Brennan says that since Zach is fine so it’s probably not a toxic gas. Hodgins says Zach said it was some sort of powder, which means that there could be trace left on Cam’s clothing. Booth tells Hodgins to just work fast. Hodgins walks away leaving Booth and Brennan looking through the window at Cam. Brennan says, “Considering the relationship between you and Cam, I’d like to say the right thing, Booth. I don’t know what it is. Usually, I would ask you or Angela.” He tells her that she just said it and thanks her.

At the lab, Hodgins tells Zach that he can’t find any traces of powder on Cam’s clothing. Zach asks if he checked electro statically. He asks Zach if he is sure it was a powder. Zach says yes. Hodgins says it had to be a gas. Zach says if it were a gas, he would be in the hospital with Cam. Hodgins keeps looking at the clothing and says that there are no particles on her clothing, so it had to be a gas. Zach says again it wasn’t. He then asks Hodgins if they are having an argument. Hodgins says of course. Zach wants to know why. Hodgins says because Cam is dying and he should be with Angela and because there are no particles. Zach finishes for him, on the clothing. Then he asks Hodgins what about on the glass parts still left in the head. Hodgins looks up at Zach and says he’s not angry at Zach anymore and then he and Zach go to check.

By Cam’s bedside, Booth is sitting and holding her hand. She wakes up and he says hey. She says hey back. Booth tells her welcome back. Cam asks him why she can’t breathe. Booth tells her that her saw hit some kind of poison, but she is going to be alright. Then Cam asks about Zach. Booth tells her he is fine and that everyone is fine. She nods. He tells her he is sorry for putting so much pressure on her to hurry. He didn’t mean for this to happen. Cam tells him it is not his fault and that Epps did this to her. Booth tells her family is coming. She says, “Oh god, and I thought poison was my biggest problem.” They both smile.

Brennan is sitting in her office when Angela appears in the doorway ands tells her that she looks exhausted. Brennan ask her what she has. Angela walks over to Brennan’s computer and pulls up an x-ray of Caroline’s head. She zooms in the shards of glass in the forehead and morphs them together to make a glass ball. Brennan asks what it was. Angela says she thinks it was a glass capsule filled with a poisonous powder. Epps inserted after she was dead, probably up the nose. Brennan continues, “When the saw blade hit it, it exploded.” Angela tells her that Hodgins has some of the shards now and he will figure out what it is. Brennan says that if she were Epps she would have made it something that changed composition after long exposure to air. Angela says, “Let’s hope he’s not as smart as you.” Then she leaves to go sit with Cam. After she leaves, Brennan stares at the board with all of Epps’s victims pinned on it. While she is looking at the board, her phone rings. It’s Epps and he is asking her who he got. She signals to an agent that it is Epps. Brennan says that if is talking about the bulb in Caroline’s head they removed it. Then she asks how he got it in without breaking it. Epps says that he saw the emergency vehicles, so he knows he got someone. He says they may not be dead yet, but they will be soon. Brennan tells him sorry, he missed this time. Epps tells her that if she can’t tell him who it was, then he can’t give her the hint to save their life. Brennan doesn’t answer. Epps starts to say good-bye and hang up when Brennan tells him to wait and then tells him he got Dr. Saroyan. Epps then guesses that Cam tried to remove the ball with forceps, but that it was too fragile and snapped. Brennan agrees with him, telling him that is exactly what happened. She asks if he will tell her the poison now. Epps responds, “The body knows what the head can’t say.” Brennan asks if he means Caroline’s body or his mother’s body. Epps starts to get agitated at the mention of his mother. Brennan asks didn’t he know they had her in custody. Epps asks on what charges. Brennan wants to know what poison. He paces, clearly bothered, and takes a moment before he answers. He tells Brennan that she had no right and that his mother is not part of this. Brennan says tell me about the poison and she will tell him about his mother. Epps tells Brennan that she doesn’t run the game, he runs the game, and that she will be sorry. He hangs up on her. The FBI agent enters her office and tells her they traced the call to a cell phone downtown and that a team is on the way. Brennan says he is already gone.

Cam is on a respirator. Booth is at her bedside holding his St. Christopher medal. Brennan waits just inside the room for him to notice her. He finally does and asks if Hodgins has found the poison. She answers not yet and asks how Cam is. He says worse, she can’t breathe on her own. He tells Bones that he really needs to her to find out what she inhaled. Brennan nods before telling Booth that Epps called and left her a clue. He asks what it is. Brennan tells him: The body knows what the head can’t say. Caroline’s body, Booth posits. Brennan agrees. She also tells him that Epps was pretty upset when he found out that they had his mother. Booth says it is good that she told him and to let the bastard sweat. Brennan tells him that Epps said they would be sorry. As they both look down at Cam, Brennan says she will call him when they have something to go on. She turns to leave. Booth tells her he is coming with her because this is going to take all of them. She watches as Booth kisses Cam on the forehead and brushes her bangs off her face. Then he walks out telling Brennan that he will drive.

Hodgins is trying to get a sample from the head. Zach is watching. He is concerned that they don’t have enough to test and if they test it without enough samples, they won’t have anymore to work with. Zach estimates that there is about 1/10,000 of a gram on the shard. Hodgins says they aren’t getting enough and the particles themselves are extremely small. Booth walks into the lab and asks what the poison is. Hodgins tells him that he doesn’t know yet. Booth asks what he does know. Hodgins says it is none of the common poisons---arsenic, cyanide, mercuric chloride. Booth says let’s start by telling the hospital what it isn’t. Then he asks what was in Caroline Epps’s hair. Hodgins tells him that is common plaster dust. Zach adds that there was also a very small amount of sodium hydrosulfide in her ear. Booth asks what happens when you put those two things together. Hodgins says drywalling. Zach adds and leather goods. Booth says great he will look through the evidence and see if he can find those two things. He starts to walk out when Hodgins stops him and apologizes and says that without more material. Booth waves him off saying they are doing a great job and now it is up to him to find Caroline Epps’s body. As he walks out, Zach calls out to him. He walks back into the lab. He tells Booth, “We have endowed Epps with intelligence he does not have. His clues are unsophisticated word games.” Booth doesn’t see the point. Zach repeats the clue from Parker’s napkin: My name is Parker ask me how I can solve this case. Booth says he already asked Parker and he doesn’t know anything. Zach says it doesn’t have to be his son, it can be something else named Parker or something to do with leather goods or drywall. Zach tells him to do a bullion search. Booth doesn’t know what it is. Zach realizes Booth doesn’t know what that is and starts to explain when Booth gets into his face forcing him to sit down in front of the computer. Zach says he won’t explain, he will just do it. Booth says, “I am walking out of here. If you try and stop me, I will shoot both of you.” Zach pulls something up on the computer and makes a sound that draws Hodgins’s attention. He asks what. Zach says he really needs Booth to come back. Hodgins calls for Booth and tells Zach, “Whatever you got, better be worth dying for.” Booth slowing walks back into the office and deliberately place his hand on his gun. Hodgins points to Zach. He tells Booth that there is Parker and Parker Leather Goods on Parker Street in the town of Parker just outside of Arlington. Zach says it is a lot of Parkers. Booth agrees and grabs Zach’s tie, pulling him out of the office. He tells Zach to grab his boss and get going.

At Parker and Parker Leather Goods, the response team breaks down the door. They clear the room. On a table is Caroline Epps’s body with something on her stomach. Brennan goes to take a closer look when Booth stops her, asking how they know it is Caroline’s body. Brennan says even if it isn’t, it will still be a clue. He walks around the body and gives a command into his walkie-talkie to jam all of the frequencies, so that if Epps has a remote detonator it won’t work. He says there are no signs of tripwires. Brennan points at the bag on Caroline’s stomach and says it is the poison just like Epps said. Before Booth can do anything, Zach grabs the bag and an audible click is heard as something engages. Booth tells him not to hesitate and to put his palm on the stomach and press down. Brennan asks what’s wrong. Booth tells her that was a pressure trigger. They pull the poison off the stomach, while Zach keeps his hand pressed firmly on the stomach. They clear the room. Zach asks what he is supposed to do. Booth tells him not to be scared and pushes Brennan out of the room with the poison. She says she wants to help, but Booth just kicks her out. He flips a table onto its side behind Zach. He places one hand on top of Zach’s and grabs his shoulder with the other. He tells Zach that this is going to hurt. Zach asks if it is going to hurt Booth or him. Booth says mostly Zach. He tells Zach that on three he wants him to jump back as high as he can. Zach says he is not a good jumper. Booth tells him to be a good counter. Zach says he is a good counter. They count to three together and then jump back. The store explodes (as seen from an exterior shot).

The news is reporting that the explosion occurred as the FBI searched for escaped serial killer, Howard Epps. The reporter says that Dr. Zach Addy, a forensic anthropologist, working with the FBI died at the scene. As the reporter says that Special Agent Seeley Booth remains in critical condition, the camera turn to show Booth sitting on the arm of Brennan’s couch. He says that is creepy hearing Zach dead and himself in critical condition. Zach asks why since it isn’t true. He is sitting on the couch next to Brennan holding his arm. Brennan has her hand on Zach’s shoulder. She turns off the tv with a remote and says she hopes that Epps buys it. Brennan asks Zach if is going to be alright. Zach’s doctor told him that most of his injuries didn’t come from the explosion, but from being slammed to the floor. He looks at Booth and says, “Apparently, you are extremely strong.” Brennan asks Booth if he had to be so rough on him. Booth says, “It was a bomb. I was being, you know, heroic.” Zach adds that he was heroic too. Brennan quickly agrees with him. Booth mumbles, “Somebody saved somebody that’s all I’m saying.” Zach says he saved the poison. Brennan says this good since Caroline’s body was blown to pieces. Booth tells Zach, “That was a good thing. You keeping your wits. Maybe what I did was ah…” Brennan and Zach look at him, waiting for him to continue. Booth finishes, “I guess if you have to explain to yourself why you are a hero, you’re not really a hero.”

Hodgins is analyzing the poison. He asks it what the hell it is. He runs through a list of things it is not out loud. Angela walks in and asks him if he is talking to the evidence. Hodgins says he is just working through it as systematically as possible. Angela tells Hodgins that when this whole thing is over she is moving to a doorman building, getting an unlisted number, and hiring a full-time bodyguard named knuckles. Hodgins tells her not to get paranoid. Angela tells him that is funny coming from a conspiracy theorist. Then the computer starts beeping. Hodgins looks down. It is methyl bromide. He goes to call the hospital. He walks into Brennan’s office and tells them it was methyl bromide mixed with plaster dust, which made it so hard to isolate. He assures Booth that he called the hospital with the treatment. Brennan asks Booth if should be there. Hodgins answers, “Priorities in life, man, one be there when somebody you love comes back from the brink of death. Two, catch the serial killer. Everything after that is basically unimportant.” Booth says he is going to go see Cam at the hospital and tells Brennan that she is going to go home and get some sleep. Zach asks why he can’t go home. Booth asks him if didn’t just hear what they said on the news---he’s dead. Brennan asks what about Epps. Booth says he has an entire surveillance team outside your house watching you. Booth asks why everyone questions him as he starts to walk out of Brennan’s office. “I’m the hero.”

Booth is standing at the foot of Cam’s bed. He asks the doctor why it is taking so long. The doctor says it isn’t. She is responding. Cam looks up and smiles at Booth. He walks to the side of her bed and leans down looking at her. He calls her Camille. She says Seeley. With a smile, he tells her not to call him Seeley. She tells him not to call her Camille. He asks her how she is feeling. She says like she got poisoned by a disembodied head full of plaster dust. Booth repeats the words plaster dust. He looks like he is making some kind of connection.

An FBI agent walks Brennan into her apartment and tells her that everything is secure. He tells her that Agent Holtz will stay in the hallway and that there will be another agent in the lobby. Brennan thanks the agent, take her keys, and says goodnight.

Scene cuts to a steam filled bathroom with music playing. The camera pans around the bedroom until it stops on a hole in the closet, which a man crawls through. He slowly opens the door and it is revealed that it is Epps, with blonde hair. He has a crowbar in his hand as he starts to make his way towards the open bathroom door. (Cut to Booth with weapon drawn, slowly opening the door to Brennan’s apartment and instructing the agents to check the apartment next door.) Epps is still creeping towards Brennan’s bathroom, when she comes out of the bathroom fully dressed and her gun pointed at Epps. He looks surprised. Booth comes into the bedroom and points his weapon at Epps as well, telling him that it is dead-end. Brennan says to Booth, “You won’t let me shoot him, will you?” Booth says that she knew he was going to be there. Brennan said it was the only scenario that made any sense. Epps is looking for some way to escape. The door to the balcony is open. Booth tells Epps he hopes he can fly since it is about a fifty-foot drop. Epps asks Brennan how she knew. She says the plaster dust in the poison. Booth adds the renovations in the apartment next door. Brennan tells Epps that it turns out he isn’t all that smart. Epps tells Brennan that he want is one minute alone with her. Brennan says it is fine with her. Booth tells her not provoke the lunatic. Booth tells Epps he has nowhere to go. Epps says he is not going back to jail. Booth tells him it is really not his decision and to put his hands up. Epps starts to put them up. Booth tells him to drop the crowbar. Instead Epps throws it Booth and Brennan. It hits and breaks a lamp. Epps runs out on to the balcony. As they chase them, Booth reminds Bones that he is in the line of fire. Epps hops over the balcony, but Booth grabs his hand and tells him that he is not getting away. Brennan watches. Booth is holding onto Epps. Epps says, “Look who’s the killer now, Agent Booth.” Booth asks Bones for a little help since he has nothing but dead weight. Brennan leans over the railing, but can’t reach Epps. Booth tells Epps to grab the railing, but Epps tells Booth he is going to drop him anyway and to just get it over with. Booth is still holding on. Epps asks if Booth doesn’t want him dead. Booth tells Epps that he is not him. Epps taunts Booth saying, “You aren’t thinking of a world with me still in it, going after Dr. Brennan, your son…” Booth repeats that he is not Epps. Brennan keeps trying to reach Epps’s hand. Booth’s and Epps’s grip starts slip. Epps falls to the ground as Brennan pulls Booth up to keep him from going over as well. Epps is lying dead on the ground.

Booth is sitting at Brennan’s table, while Brennan is seated across from him. Another agent says that the unit on the ground and the sniper across the street saw what happened---that Booth tried to save Epps. Booth says yep. Brennan tells Booth that no one could have helped him. Booth says yep. The agent tells Booth that he can go, but that he department might want to assign him a shrink, because of the on-the-job death. Brennan tells Booth that he didn’t have his full strength and that his wrist was hurt from pulling Zach away from the explosion. Booth tells Bones that his wrist wasn’t hurt. Brennan scoffs and says she wishes Booth had let her shoot him. Booth says no you don’t and then gets up and walks out of her apartment. Brennan watches him leave.

Parker is holding on to Booth’s leg at the merry-go-round. He tells Parker he will put him on. Parker says he doesn’t want to. Booth puts Parker on a horse and straps him in. Brennan walks up and sees them. Booth kisses Parker on the head and then they bump fists “knuckles”. The ride starts. Booth sees Brennan and says hello and asks how she knew he would be here. Brennan says it is Saturday morning. She asks how Parker is. Booth says he freaked him out and made him really scared of this place. Booth says he has to put that right. Brennan says it is Booth all over, putting things right, as they sit down on a bench. Brennan asks Booth if Cam gets released from the hospital today. Booth says yes as he bounces his feet and holds his hands in his lap. Brennan asks what. Booth says, “You know what happened to Cam, happened to Cam because we had a personal relationship.” Brennan asks about the had. Booth replies, “Yeah, people who work in high risk situations, they can’t be involved romantically, because it leads to things like what happened.” “High risk situations,” Brennan repeats. Booth replies, “Every single day it’s with us. There’s this line and we can’t cross it, you know what I am saying?” He looks at Brennan. Brennan says yes, she understands. Parker waves at them from the merry-go-round. She bumps Booth and says he seems ok now. Booth leans onto his knees and says, “Yeah, it is important to make things right. I just don’t know how. I don’t know how.” Booth and Brennan watch from the bench as the merry-go-round continues to turn.

Quotes

add » Booth: (After he puts Parker on the Merry-Go-Round, he turns around and sees Brennan) Hi, how’d you know I was here?
Brennan: Saturday morning, how’s Parker?
Booth: Yeah, I’m afraid I freaked him out the other day, he’s really scared of this place, now I gotta put that right.
Brennan: That’s you all over, putting things right. (edit) Brennan: (Reasoning why Howard fell from Booth’s grip) You didn’t have your full strength, your wrist was hurt from pulling Zack away from the explosion.
Booth: My wrist wasn’t hurt, Bones.
Brennan: (Scoffs) I wish you’d let me shoot him.
Booth: (Somberly) No you don’t. (Booth gets up and walks away)
(edit) Brennan: Marianne Epps is a clearly bad mother
Booth: (Scoffs) Yeah, well you think?!
Brennan: But, a lot of people have bad mothers and they don't grow up to be serial killers, which is why I don't put much stock in psychology.
Booth: Alright listen Bones, I don't care how you explain it, alright, the guy, he's an animal, he's got no conscience.
Brennan: I don't know how one draws moral distinctions between killers?
Booth: Listen Bones alright? There are crimes of passion, alright, crimes committed out of desperation, which are usually followed by remorse or acknowledgement of human failing, the key word here is human.
Brennan: The reasons for killing someone are unimportant, the life that’s taken is all that matters.
Booth: Listen, you can’t blame yourself here.
Brennan: Yeah, it’s me he’s after, Angela and everyone else, they shouldn’t be involved.
Booth: Look, it’s not your fault alright, its all Epps, which is why I’m gonna take this little bastard down.
(Brennan looks in the side mirror and realizes that there is a car following them)
Brennan: Booth – (more urgently) Booth – we’re being followed.
Booth: Um-hmm, that’s right, (chuckles) two agents all the time at a very discreet distance, see, and I don’t care how big your gun is alright?
(edit) Angela: The burn victim is Donald Kent, a decorated fire-fighter.
Brennan: Epps would appreciate the irony.
Angela: Kent was still alive when he was set on fire, how many victims does that make?
Brennan: Seven, that we know of.
Angela: And they aren't just young blond women anymore.
Brennan: No, they aren't.
Angela: He's such a monster. He's killed from behind bars, and new victims keep turning up, and now he's out. (edit) Cam: (While examining Caroline Epps' decapitated head) Okay, that's terrifically disturbing.
Booth: What
Cam: Massive blood aspiration to the soft tissue of the neck. (Brennan gasps, upset)
Booth: Meaning?
Cam: Caroline Epps was alive when Howard cut her head off.
Brennan: (Exasperated) Now he's torturing his victims.
Booth: (Determined) So let's torture him. (edit)

Trivia

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When Brennan and Booth are entering the apartment where they find Epps' wife's body, why are they bothering to tiptoe when they are talking at a normal level? And why would you be talking at all if a serial killer might be inside? (edit) GOOF: When Brennan picks up the bone shavings that Howard left at the pay phone, and the camera is behind her, her right pinkie finger is sticking up when she is holding the vial, but when the camera angle changes to the front close-up, all of her fingers are gripping the top of the vial without there being any time for her to move her finger. (edit) The powdery substance used by Epps to poison Dr. Saroyan was Methyl Bromide mixed with gypsum. (edit) This will be the last of three appearances by Heath Freeman as Howard Epps as he dies by falling off Bones' balcony at the end of this episode. (edit) The building used for the external shot of the fire-damaged prison as the episode opens is the Joliet Correctional Center located in Joliet, Illinois. The first season of Prison Break was also shot on location here (Fox River State Penitentiary). (edit)

Allusions

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Angela: (Talking about Howard Epps) If ever there was anyone who belonged in GITMO.
Cam: Yeah...

GITMO stands for the Guantanamo Bay Naval base. Since 2001, the naval base has contained a military prison, the Guantanamo Bay detainment camp. Prior to 11 July 2006, the U.S. maintained that these detainees are not protected under the Geneva Convention (This suggests that they are tortured, and Angela feels Howard belongs there). (edit) Booth: (to a yawning Brennan) Maybe you'd like something a little more exciting, eh? Like Attica...

In 1971 more than 90 prisoners died in the Attica Prison Riots, that began in the Attica Correctional Facility in Attica, New York.